Karya Komunikasi Visual dalam Dialektika Budaya Masyarakat di Kota Semarang
PluralisticÂ Â Â Â societyÂ Â Â Â inÂ Â Â Â theÂ Â Â Â cityÂ Â Â Â ofÂ Â Â Â SemarangÂ Â Â Â stillÂ Â Â Â reflectÂ Â Â Â aÂ Â Â Â harmoniousÂ Â Â Â inter- ethnic between Javanese, Chinese, Arabic in life. Diverse backgrounds and faith communities in the city of Semarang enrich the cultural artifacts, works of visual form of a spiritual charge. Artwork in the form ofÂ Â craftÂ Â toysÂ Â WarakÂ Â Ngendog,Â Â hasÂ Â inspiredÂ Â severalÂ Â worksÂ Â ofÂ Â importantÂ Â visualÂ Â representation of typical Semarang is a form of cultural dialectics in the city of Semarang.
Uniqueness Â as Â well Â as Â the Â hallmark Â of Â Semarang Â has Â been Â treading Â a Â new Â episode, Â the evolutionÂ Â Â ofÂ Â Â artÂ Â Â asÂ Â Â aÂ Â Â formÂ Â Â ofÂ Â Â harmony.Â Â Â CulturalÂ Â Â dialecticÂ Â Â isÂ Â Â happeningÂ Â Â inÂ Â Â theÂ Â Â city of Semarang was already beginning to show the superiority of one culture forces background of other factors that dominate public life.
Deformation occurs in the form of the head of Warak Ngendog, the first representations of imaginary Â animals Â dragon, Â camelÂ and Â goat Â (the Â harmony Â of Â ethnic Â Chinese, Â Arabic Â and Â Javanese) into Â a Â tangible Â form Â of Â the Â Dragon's Â head Â intact Â only. Â Dysfunction Â "culture Â of Â support" Â in Â the
representation Horse Parade was raised in the annual ceremoni Semarang, but the harmony remainsthe breath of life. Dialectical forms of culture can be seen also in the works of visual communication such as Logo Pilwalkot, Semarang Great Sale and Semarang United
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